Recently while reading through my daily bloglist, I saw a post on Matters of Style mention a local etsy crafter who did custom stamps in calligraphy. I thought this would be a great idea to do a small stamp of my name on the front page of the books in my library. It came in the mail yesterday and I couldn't be happier with it!
I dealt with Trialbycupcakes, who was so easy to work with and let me create the stamp sans address. Thats one of the great things about etsy, you're generally dealing with people who work out of their homes as a small business and they can help you get what you're looking for. I will probably use the stamp for other uses as well, but now time to head to the store to get an assortment of different colored stamp pads!
Recently, I was asked to review a copy of The Season of Second Chances by Diane Meier which just came out in paperback. I wasn't really sure what to expect but the premise from her PR group really sounded up my alley. A middle aged college professor decides to take a chance by moving to a small town from NYC to begin a new chapter in her career and renovating an old Victorian house. I figured if I didn't like the book, I wouldn't be out on much, right?
After a slightly bumpy start (mostly because I don't read much fiction) I quickly became engrossed and found Meier and I spoke the same language. Within the first dozen pages, a haircut was described as a Maxfield Parrish mural, a hotel was compared to the namesake in the Astaire/Crosby movie "Holiday Inn" and when house shopping in a small town as opposed to a rural area she wrote,
Earlier this week, I attended a lecture at the Corcoran given by Jose Solis & Paul Sherrill of Solis Betancourt in celebration of their new book, Essential Elegance. I know there are a LOT of beautiful books out this season but this one surely deserves its' place as a stocking stuffer (as said by Solis himself!).
Solis Betancourt has been operating out of Washington, DC for 20 years and to celebrate that landmark, they decided to publish a book of some of their favorite projects. One of the first in the book is also one of my favorites (which I've loved ever since I first saw it published), an elegant french styled house here in DC they did in collaboration with Barnes Vanze Architects.
Above is the living room. In this remarkable renovation, the team turned a pokey little house into an airy and spacious feeling masterpiece with amazing views. One of my favorite parts of the lecture was that they showed the 'befores' for every 'after' which got a lot of gasps from the audience!
The master bedroom above benefited from the use of Portieres, or curtains to delineate space, a common element found in much of their work. The amazing mahogany windows and french doors from MQ windows which fill the house don't hurt either! Another ingenius element that often pops up in their work is decorative mouldings on the ceiling in which all of the ugly necessities are ganged; such as air vents, lighting fixtures and smoke detectors.
The use of natural materials and simple, modern furniture in a classical space was important to the client. Solis stated that their work at the firm is extremely client based and personal. This is evidenced by the broad range of styles seen throughout the book. He believes that the process should be 'amazingly fun' for everyone involved and that the client is the most important part of the process.
In another more recently completed project just outside of NYC, Solis collaborated with architect Ward Welch to create a soothing environment for the client as an escape from the city. Solis believes his training as a painter (and also as an architect at Cornell) has trained him to see his interiors as still-lives and he excels at creating vignettes, as in this bedroom above. One of my favorite spaces was a bathroom in the same house. The modern glass sinks benefit from tons of natural light and the contrasting ornate mirrors add a little excitement to the room. I also love when bathrooms are finished like real rooms with pieces of furniture.
In the end, Solis and Paul left us with some great points. The earlier an interior designer is involved with a project, the better and smoother the end result. Solis believes his training as an architect helped his communication skills with clients, architects and the whole building team and believes that a team process is needed for a coherent project. 
One of the great current traditional architects is Peter Pennoyer. Everyone might not be familiar with his name, but after his new book is released this month (a monograth of his work) his name will be on everyone's lips I predict! He already has the attention of the current dean of traditional architecture (in my book), the great Robert A. M. Stern who writes the forward to the book, his former teacher and mentor.
Everyone who reads any design magazine today will be familiar with Pennoyer's work, working with many of the biggest interior design stars today. This new book goes through many of his most fascinating projects in depth, including GORGEOUSLY rendered floorplans and sections for each project (my favorite thing ever!!). No amount of photography could help one understand a building better.
One of my favorite projects shown in the section on townhouses is this project on Lenox Hill completed in 2005. The French neoclassical facade was originally designed by Henry Pelton in 1917 (on an existing 1872 townhouse) but had fallen into disrepair; So bad in fact that only the facade remained and the entire house had to be completely rebuilt. 
Pennoyer is a master preservationist and restored or rather recreated the exterior while the interior was designed to be sympathetic to the houses history while becoming liveable for a family in todays world. The stunning interiors were done by Victoria Hagan. You would never guess many of the details weren't originally to the 1917 renovation!
An intellectual as well as an architect, Pennoyer is able to work in many different styles and formats given his broad range of study. Showing this versatility, this 'camp' cabin from the section on country houses is designed in an Adirondack style.
Playing with traditional styles for this area of New York from architects such as Robert Robertson as well as utilizing traditional Norwegian and Russian styles, the house was designed to look like an assemblage of pavilions attached through a series of covered walkways.
The amazing drawings continue; I especially appreciated this section showing the house's relationship with the neighboring lake. The details in the house are stunning, such as this stair below which is of reclaimed lumber using traditional building techniques. 
You must get your hands on a copy of this book to fully appreciate Pennoyer's work -this is only the tip of the iceberg! Christmas list anyone?
Recently, JCB and I shared a lovely afternoon in Baltimore with the fabulous Meg of Pigtown Design. One of her favorite haunts, which she mentions often for her many scores, is the Bookthing. I was able to snag a 1st edition copy of DV, Diana Vreeland's autobiography to replace the recent reprint I've had in my personal library. As one of the most fascinating and influential women of the 20th century, this book is a MUST read! I would love to share my copy with a reader. Simply leave a comment if you are interested by Wednesday (Sept 23) and a recipient will be chosen randomly. Good luck!
Giveaway to US addresses only, thanks!
While reading 'The private world of the Duke and Duchess of Windsor' by Hugo Vickers, recently, I was struck by the lush details in their stair hall in the Bois de Boulogne, Paris. I know a lot of people dislike the Duke and Duchess (and let me know why every time I post on them!), but they were incredible tastemakers in the mid 20th century, hiring the best of the best. This house was primarily decorated by Jansen and I think we can all agree to admiring them if not these particular clients! They supplied the sconces seen above, which incorporate the Royal Arms of the Stuarts.
The incredible faux marble walls caught my attention first. I think I like them more than the real marble floors! The Louis XV desk in the entry hall is very useful, especially for hosts who keep a guest book, such as the Windsors.
The faux marble commode was probably made for the couple in the 30s by another 'great' of the 20th century, Syrie Maugham. Isn't the stair railing gorgeous?
The trompe l'oeil painted ceiling is suitably grand for the house, much more appropriate than plain white! The lantern incorporates the Prince of Wales feathers and was brought to the house by the Duke from his house Fort Belvedere as was the banner which was brought from Windsor Castle. 
Have you read this month's Vanity Fair (they have a great website btw!)? Featured is a book called 'Mad World: Evelyn Waugh and the Secrets of Brideshead' by Paula Byrne and I can't wait to read it. As most of us know, Brideshead Revisited was highly autobiographical for Waugh and this book digs into the details. I can't wait to read it! 
You may recognize Madresfield Court, the real Brideshead, at the top of this post as well as the stairhall above, as it has been used in numerous masterpiece theater mystery episodes. I love this room! Cozy yet grand, mixing the best of the antique with the new -photographs and portraits, electric light and fireplace. During World War II, the house was planned as a place of evacuation for the Royal family.
Here is Hugh Lygon, the 'real' Sebastian -quite dashing in his double breasted suit and slicked back hair- but not quite as handsome perhaps as Anthony Andrews who played the part in Brideshead revisited from 1981.
Above is Lord Beauchamp, the inspiration for Lord Marchmain, who was in exile from England like in the book, but for much more scandalous reasons! The real story behind this family was even more extraordinary than depicted by Waugh in Brideshead, hopefully this new book is a good read. I'll let you know! 
Just think of this as the Eames chair of the eighteenth century!From the book by fashion illustrator Jean-Philippe Delhomme, The Cultivated Life, published by Rizzoli
I now have a personal scanner -exciting news here at ArchitectDesign! I wanted so much to share with you one of my favorite books, which if you love beautiful historic interiors, you must add to your library - Potsdam by Gert Streidt (author) and Klaus Frahm (who provided the lush photography). 
This is probably the design book I refer to the most -my comfort blanket. As an exchange student in high school, I visited this neighborhood of palaces outside of Berlin and knew that this is what my passion was -great residential design. I remember standing in this room above in Sancoucci (which I've blogged about before HERE) as if it were yesterday and being totally blown away. Known as the Voltaire room (he supposedly lived here while in residence at the palace from 1750 till 1753), the room features wood paneling painted a beautiful yellow, marble floors and a built in bed (Thomas Jefferson wasn't the only one!). The painted woodwork features fruits cultivated in the palace park and greenhouse. The goal of the rococo movement, used here and at which the Germans excelled, was to integrate the surroundings into a unified whole -this was accomplished in this room by using the same motifs on the walls, ceiling, chandelier and even embroidery.
Another favorite room featured in the book is the private writing room of the royal quaters at the New Palace (literally across the park from Sanssouci). Again we have beautiful painted wood paneling but an unusual porcelain framed mirror above the fireplace (not painted wood which is more usual). The amazing writing table is covered in tortoise shell and silver plated bronze overlays; So over the top gorgeous.
I saved the best for last. This desk, by Karl Friedrich Schinkel, is probably my favorite piece of furniture ever. It is located in the ladies-in-waiting drawing room at the Charlottenhof Palace, an AMAZING neoclassical house from 1839, also designed by Schinkel. The interiors are very simple, almost modern, and were considered very middle class in their day. This simplicity was due to a small budget but also the changing of fashion. The building stands in sharp contrast to some of the earlier rococo palaces featured in the area. 
Images shown are from his website of one of my favorite projects he has completed, a townhouse in Eaton Square. Michael showed a great deal of images: both published and unpublished, older and recent as well as a brief rundown of his many product lines. While talking about the bedroom shown above, probably one of my top favorite published bedroom images, Michael mentioned his philosophy of a bedroom as 'a crib' or a cozy retreat. He is a fan of patterned walls and beds nestled against the wall.
Michael quickly broke down his design philosphy in a very clever way and you can see examples of this throughout all his work: the mixture of 2 ideas (often opposing) that bring out the best features of both. Whether it be mostly modern with an antique painting thrown in or English country with a few pieces from Marrakesh, this tension is where the interest lies in his work- the true definition of an eclectic interior! He believes the discord "brings you into the moment by its contrast". 
At the same time, Michael is concerned with balance. He never wants a room to be 'too simple, too fancy, too cluttered', etc. In a very formal dining room he'll throw in a sisal rug in contrast to a patterned or scenic wallpaper.
Another of the mainstays of his work is investing in quality, classic pieces. He mentioned in his own homes (as he is always moving) keeping the same couches for decades and uphostering them when they get a bit shabby. I noticed throughout many of his own houses that he showed the same pieces kept showing up. If you love something, you will always make it work: Stay away from the overly trendy and never start from scratch!
Michael said that being an interior designer is one of the most personal and private fields you can ever go into. You get to know your clients very intimately and you should never betray their trust, hence the 'don't ask don't tell' policy on the White House! He did however mention that his work there was to 'highlight the best of America' and not neccesarily the traditions of the White House. 
Michael easily (and often) admited to being proudly high maintenance. He said "I'm not the easiest decorator to have" because he wants to challenge his clients to be invested in their houses. He wants them to think about their choices and for their spaces to be true reflections of not just Michael's taste, but their own lives. He claims all of his projects are incredibly individualistic and won't ever take on a client who merely wants a copy of one of his previous jobs.
I hope you all enjoyed these little tidbits I gleamed from the lecture; it was an entertaining and charming way to spend a rainy evening! All quotes are in italics.
Since I'm away at the beach, I figured it was a good time to show some seaside cottages. Not the Newport variety, but actual cottages. The book 'Cottages by the Sea' by Linda Leigh Paul features a number of amazing cottages in Carmel, California. I had 2 favorites that I want to share with you.
The designer, Hugh Comstock, designed the place in a folk tudor style to showcase his wive's 'Otsy-Totsy' dolls in 1924 to show to potential buyers as they had overflowed their own home. 
The interior is small at 300 SF but adorable. Efficient little beach cottage perfect for 1 or 2! I love the soaring ceiling. Thats a guest loft up the ladder from the living room.
Less of a cottage than a small house, the second project is more my speed to actually live in. I love this house!
The house, typical of the time period, features forest-green painted steel windows. You know I love those! I especially love this large rounded bay window in the living room seen above and below.
The garden is divided into 'rooms' and features a treasure trove of plants - roses, lupine, forget-me-nots, wisteria, iris, rhododendrons, lilacs, lavendar and rare trees. A perfect cottage garden!
The interiors are still cozy but not as tiny as the hansel house. I love the wood floors and beams.
The kitchen is obviously from the 1987 remodel but I don't mind it -the white cabinets and appliances are very beachy and I love the addition of the beautiful rugs and blue cabinet.
This is a book that is definitely worth checking out!
